Each project,
a personal story.

A late-summer wedding under olive trees, built on one motif — milk-white linen against terracotta light.

A vineyard wedding in October — long tables, low candles and a quiet, sustained gold.

A ceremony at 1,800 metres, scored to a single ensemble of low brass and silence.

A one-day editorial in a closed atelier — a study of restraint, scored entirely in linen.

A late-spring wedding for 90, scored around one wine — a Saperavi from the bride's grandfather's cellar.

A brand evening for 220 in a converted warehouse — quiet press, single-table format, no stage.