06

Natalie & Miriani

Wedding · Radisson Tsinandali · 200 guests

Around two hundred guests, a crowning rite in the cathedral, a helicopter over the vineyards and a white rotunda in the Tsinandali park — a full-production wedding, disciplined into a single colour.

Natalie & Miriani
Format
Wedding
Region
Kakheti, Georgia
Date
August 2025
Guests
~200

VenueRadisson Collection, Tsinandali Estate

ScopeFull organization by SENTI — concept to completion

01

White, decided once

Some weddings choose a palette; this one signed a contract with it. White dresses against a wall of white flowers at the first look, a white dinner jacket, white stone, white silk. With around two hundred guests and three scenes ahead, a single colour was the discipline that held the day together — texture did the talking, not contrast.

The bride with her bridesmaids against a wall of white flowers
The bride with her bridesmaids against a wall of white flowers
The groom in a white dinner jacket, black and white
The groom in a white dinner jacket, black and white
02

The cathedral first

The day opened with the crowning rite: candles, crowns held above the couple, a stone nave that takes minutes to walk. We keep the church ceremony untouched by production — no staging, only light. The black-and-white frames from the nave are the quietest of the day, and the day is loud.

Crowns held over the couple in the cathedral, black and white
Crowns held over the couple in the cathedral, black and white
03

By air over the vineyards

Between the city and Kakheti the couple flew. The helicopter folded the road into a view of it — vineyards, then the estate pad, then doors opening into the park. With two hundred guests already seated, the transfer was the entrance.

Arrival by helicopter over the Kakheti valley
Arrival by helicopter over the Kakheti valley
The helicopter sets down at the estate
The helicopter sets down at the estate
One colour, held from the cathedral candles to the last confetti.
The father walks the bride through the applauding guests
The father walks the bride through the applauding guests
04

The rotunda at the end of a white road

In the Tsinandali park the civil ceremony waited in a white fabric rotunda at the end of an aisle banked with white flowers. From above, the composition reads as one line: park, aisle, canopy, couple. Her father walked her through the applause; the recessional went through petals.

The couple inside the white rotunda, the train down the flower-lined aisle
The couple inside the white rotunda, the train down the flower-lined aisle
05

A cake taller than the couple

The banquet hall answered the park in white and gold: long tables under chandeliers, a Georgian choir on stage under the couple's names, and a multi-tier cake taller than the two of them, cut inside a confetti storm. The band took the stage in red light — the one hour the palette was allowed to break, and only after dark.

The banquet hall in white and gold under the chandeliers
The banquet hall in white and gold under the chandeliers
Confetti storm over the cake taller than the couple
Confetti storm over the cake taller than the couple
The bride at the old stone arch of the estate
The bride at the old stone arch of the estate
The ceremony inside the cathedral
The ceremony inside the cathedral
A portrait after the crowning, black and white
A portrait after the crowning, black and white
The rotunda aisle in white, before the guests
The rotunda aisle in white, before the guests
The rotunda and the guests from above
The rotunda and the guests from above
The recessional through petals, black and white
The recessional through petals, black and white
Cutting the cake as the confetti falls
Cutting the cake as the confetti falls
The Georgian choir on stage under the couple’s names
The Georgian choir on stage under the couple’s names
Candlelight over the sweetheart table
Candlelight over the sweetheart table
The band under red light closes the night
The band under red light closes the night
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